WHY I READ THE BOOK
I had seen the book on Kindle Unlimited, and dismissed it as – not my type – as I was on a thriller reading spree of late. At this point, I must also admit that I have begun looking at Indian authors with a biased angle. (Judge me for being judgemental all you want!) For this one, I made an exception and read the blurb, and put it on the ‘could be read’ list whenever I felt like reading a non-thriller.
Today, my friend Anita posted a short review about it and the name rang a bell. (Pun very much intended.) As I had just finished the rather long Dead Lawyers Don’t Lie (also a debut, incidentally), I downloaded it immediately.
WHY YOU SHOULD READ THE BOOK
If you are anything like me, you are a cynic when it comes to the quality of writing of the recent crop of debut Indian authors. You do want to read authentic India-based stories but can’t seem to find a lot of read-worthy books.
This one is a welcome addition to the read-worthy section and falls under romance/drama/contemporary fiction genre.
(I should mention that the author Mr. Capri Jalota is a Bahrain based Indian expat, so he can also be termed as a Bahraini author.)
The quality of writing bit sorted, this book is a definite page turner despite not being a suspense novel.
Case in point : I finished it in 4 hours since I downloaded it, today!
If you like the current crop of woman-centric movies in Bollywood (Do I see you cringe at my comparing movies and books? Sorry! Let me give you book examples – All and Nothing by Raksha Bharadia, A Woman of My Age by Nina Bawden), you’ll like this emotional roller-coaster ride that the flawed but gumptious protagonist sets out on.
Top 3 reasons for you to read the book :
1) It is backed by Leadstart Publishing, which has established itself as a publisher of quality books over the last few years.
2) The narration is not pretentious (which is my biggest grudge against many debutants) at any point.
3) The characters and happenings are completely relatable. If you’re tired of reading over-the-top plots which lack believability, then this one is so rooted in ordinary life that you’ll be surprised why you’re wanting to know more about the happenings in such a routine setting.
The story revolves around the Anglo-Indian lead Jane, who is a highly successful Dubai-based real estate manager plagued by personal issues that threaten to bring a standstill to her ability to handle her job efficiently unless she resolves them. She sets out to find the person who has all the answers that will supposedly help her achieve emotional closure, but ends up in deeper problems due to the decisions she takes during the ‘search’. She tries to bring her life back on track after the unfruitful and disastrous ‘search’ trip and is on the brink of finding love again when things go wrong again.
Utterly dejected and unhopeful, she resolves to put an end to her suffering on the day the whole world celebrates; and then the doorbell rings! It is for you to find out what happens next. Does Jane find solace after all?
Since the characters are the essence of this beautifully written book, I will not go into deeper details of each of their traits. I do want to write about them though, so it would be better if you come back to this section after you read the book.
You have an Indian Doctor married to a British citizen and Jane is their only offspring. Constantly conflicted about her identity, she decides to identify more with her mother’s side just because she is never introduced formally to her Indian side. She is very decisive, often acting on instinct and regretting in hindsight. She discovers her empathetic side a little later in life when she starts looking at things from others’ perspective.
You get to know him from Jane’s reminiscing and his own journal entries. I loved how the author gives us the glimpses of a man who cannot give up his past and is trying to come to terms with a life-changing decision he has made under somebody else’s influence while maintaining his basic nature that others define as easy-going and selfless. It is difficult to decide whether you feel sorry for him or hate him outright.
Mahesh (and family)
The quintessentially helpful Marathi manus who has managed to rise to an upper middle-class lifestyle from humble beginnings through sheer hard work. He is a happy family man with a doting wife who singlehandedly brings up their daughters and rightfully nags him sometimes to take out some time for their own selves. The purpose of this whole family is to show what a perfectly happy household looks like (and what life could’ve been for Jane according to her ‘thoughts to self’. I don’t think Jane could have had that life considering the kind of man Uday was.) and how fragile the illusion of the ‘perfectly happy household’ is…
He’s apparently a selfless fellow who has dedicated his life to social service. I’d say he’s one of the most selfish people in matters of the heart. He advises his best friend to ‘come out clean’ to his fiancée while he himself doesn’t communicate his reservations for shunning the advances of the girl he loves. The flamboyant techie turned dedicated NGO worker ‘with a heart of gold’ is in fact a manipulator who thinks he knows best when it comes to other people’s romantic choices.
I don’t know why this Rahul reminds me of quite a few leads played by Hrithik Roshan where he romances the heroine for somebody else, falls in love in the process, and then selflessly steps aside because it would be wrong to marry the one who’s claimed by his best friend (or boss). I have no sympathy for such losers. (Sorry for the outburst. The credit for this goes to the author’s incredible character etching.)
The supporting characters – Jane’s dad and mom, Mahesh’s wife, their pre-teen and toddler daughters, Jane’s physiotherapist, Jane’s boss, her in-laws, and her dad’s extended family are all expanded just enough to help the reader get to know them and still not get distracted from the main plot.
The language is refined, the flow is smooth, timeframes are defined, and the dialogues are engaging. I found only 1 typo in the book.
Most of the narrative is in flashback, and proceeds from Jane’s point of view. The reader thinks with her, explores with her, contemplates a dilemma with her, and unwittingly and unwillingly flees from conflicting situations with her, and regrets and hopes with her.
Such is the grasp of the author on the subject matter of female emotions that the reader lets go of superficial things like where the story is heading and drifts with the cluelessly or otherwise drifting protagonist.
WHAT I LIKED
- There are no black and white characters. Everybody is flawed, and still almost everybody is likeable.
- There are no loopholes (good) or loose ends (not that good**). The motives of everyone’s behaviour gets clear towards the end. (There’s a writing rule to let somethings be for the reader to figure out. The author has broken it and the result is actually good. The book offers closure to the reader too along with the lead.)
- Thankfully, very thankfully in fact, there are no proofreading mistakes (except one). It makes the book highly readable.
- The settings (Dubai, Mumbai, Delhi, Agra, London) and happening are familiar to most readers who’ll pick up this book. It is a real skill to write about fictional people whose life is turned around by real-life mishaps or milestone events.
- The conflicts (I get a bit technical here) are well-timed and do not seem forced. It helps that the author seems to have a deep understanding of the psychology of toddlers, pre-teens, middle-aged and old aged people of either gender.
WHAT I DID NOT LIKE
- Let’s address the elephant in the room. The book is not lengthy still the narrative goes into too much detail in places.*spoiler alert* Mostly in Uday’s journal and then towards the end of the book. *spoiler over*
While it is very tempting for the author to put down everything that is unfolding in his mind, it is a harsh fact that readers generally skim over the parts where they think they’ve known everything there is to know on the page at that moment to move forward in their reading; especially in times when the attention span is too low.(Like you – my reader – have probably skipped to point 2 after the bold spoiler alert font. See what I mean? But I am not writing a book, so I can afford ‘skimming readers’ to illustrate a point to the author who will surely read this review. 🙂 )
- The book does not wrap up in time.This is slightly different than lengthy detailing. This is where the plot refuses to stop after the end goal of the story is seemingly achieved.(**This happens because the author has broken the writing rule mentioned above.)
Have you ever watched a movie where you thought it is brilliant in places, dragging in parts, but in the end you’re happy you’ll take back some good memories when suddenly the director inserts a 10-min sequence? Baahubali-2 anyone?
(I know I am contradicting myself by adding these lines. I seem to be very intent on irritating my readers. Thanks for bearing with me so far. If you’re skimming, all is well.)
IN A NUTSHELL
I enjoyed it because I have lived in Dubai – the place where it all begins and ends. And also because I genuinely liked the narrative voice that is honest. The story shows and doesn’t tell (if you know what I mean). You’ll probably enjoy it for the latter reason.
Pick it up if you’re anybody who reads. Really, this one is not the run of the mill romances, or crusader stories just because it happens to be a woman centric book.
My rating is 4.0 on 5.
(It should be counted as highly biased (in a good way), because I’ve not been reading the real ‘quality’ stuff of late. This is a whiff of fragrance for my mediocrity clogged reading nose. Eww…I know the metaphor stinks! But looks as if I’ve found my writing wit. 😛 So many buts in this post, can you count? )